In music, a motif is a short fragment of music that gets developed and repeated throughout the length of a song. The repetition aspect of a motif makes it similar to a hook. But a hook generally repeats verbatim; it generally sounds the same each time we hear it, like “She loves you, yeah, yeah, […]
Here’s a quick tip for you if you like complex chord progressions: keep the weirdness toward the middle of your progression, and make the beginning and ending of it tonally strong. Here’s what that means: Most songs in the pop genres are going to be in one key or another, and so if you want […]
If you’ve had that happy circumstance where, while trying to write a song, you get some amazing ideas that appear all at once, and you manage to write that new song in one siting, within a half hour or so, I think that’s wonderful. It’s also rare. If hooks seem elusive when you’re trying to […]
It sometimes amazes me how different a verse and chorus can be from each other. The classic example of this is probably Paul Simon’s “My Little Town“, which features a long meandering verse with a complex chord progression, syncopations and changing time signatures. The chorus changes character almost completely, offering a very short, catchy hook […]
In yesterday’s post I wrote about two-chord progressions, and how a song practically never suffers from a chord progression that’s short or boring. While that’s true, it doesn’t mean that a chord progression can’t help strengthen your song’s structure. If you’re hoping to give stronger meaning to your lyrics by using more creative chords, you […]
Most songs will keep the same key from beginning to end. For songs that do change key, the most common circumstance is when you have a minor verse that moves to a major chorus. You hear this in lots of songs. I did a video a while back regarding how songs change key, and referred […]
