You hear a lot of criticism these days about pop music, and how everything sounds the same. Not enough creativity, no one going out on a limb. In reality, pop music — at least the kind that makes it to the Billboard Hot 100 — has always been populated with songs that sound the same. […]
With most good chord progressions, there is a sense that the progression is making one chord (the tonic) sound like a kind of musical target. As each chord happens, you hear that tonic chord approaching, and when it finally happens it sounds musically satisfying. Example: C Dm G Em Am Dm Gsus4 G7 C (I […]
Lately I’ve been getting lots of very good questions from songwriters by email regarding chord progressions, and most of those questions deal with some aspect of how to make chords a bit more creative without making them sound… well, like garbage! I thought now might be a good time to go back to offering my […]
If you’re a bit new to songwriting, there’s probably at least three things you’ve noticed already: Your first few songs may have come together quickly, and this is exciting. Your next few songs took hard work, and this is discouraging. Today, you don’t even know where to start. And because you don’t know where to start, […]
Chord progressions are the one aspect of songwriting where random improvisation can give you something amazing, but unfortunately you’ll often need to wait a very long time before that amazing thing happens, wading through a lot of garbage in the meantime. That’s because there is a logic to chords and the way they move from […]
How often does sketching become part of your songwriting process? And what does that term mean to you? In most of the creative art forms, sketching is vital. Whether you’re a novelist creating character sketches, a choreographer sketching out a dance routine, or an artist getting ideas for a new painting, sketching has two main purposes: […]
