If you look at the description of Lennon & McCartney’s “I Saw Her Standing There” in the Rolling Stone’s 500 Greatest Songs of All Time list, you’ll read this: This song had been written by McCartney two years earlier. After penning the first line – “She was just 17” – McCartney wanted to avoid completing […]
It’s an important principle in good songwriting that all elements within any song should act as partners. We know, for example, that the mood of a song can be strongly affected by the tempo we choose, and also by production choices: instrumentation, performance style, and even the key. A lyric can be excellent, but if […]
How you know that you’ve written a song that really works comes down to one main thing: its ability to make listeners want to hear it over and over again. When a song fails to do that, your job becomes one of analysis: how to figure out why a song just isn’t making the impact on […]
There are some genres that are edgy and energetic by nature. If you like the warm fuzzy feeling you get from a lightly-accompanied ballad, you’re not likely going to be writing heavy metal. But what if you like lightly-accompanied music for the transparency of its sound, but you wish your song had a bit more […]
There is a pattern you’ll notice in most pop songs, which is that as they move along, they alternate between sections that are ambiguous in nature and sections that are much clearer and easy to understand. I like using the terms “fragile” and “strong”: In many songs, that “fragile-strong” labelling is synonymous with “verse-chorus” structure. […]
There are times when songs form themselves in your creative mind rather quickly. It seems that almost within minutes, you’ve got the basic structure working, even if some of the lyrics, melodies and chords haven’t all been worked out. It’s exciting when things happen quickly in the composing of music. On the other hand, a […]
