The basic mood your songs convey is one of the most important aspects of songwriting. Before anyone figures out even what your song is about, they can pick up a mood pretty quickly. And the one element that often conveys mood quicker than any other is the chord progression. That, in a nutshell, is why so many songwriters […]
It’s only taken me about a year and a half, but I finally have a new songwriting video up. “Why Hooks Are So Important To Pop Songs ” is an introductory view of song hooks – what they are, and their fundamental characteristics. The video actually serves as a good introduction to more in-depth look […]
Every chord has contains at least 3 notes: C uses C-E-G; Dm uses D-F-A; Em uses E-G-B, and so on. Some chords contain more than 3. For example, G7 has the 3 notes that make up the “triad” part: G-B-D, and then a 7th on top, making it a 4-note chord: G-B-D-F. The root of a chord is the note represented by […]
It’s easy to understand why a song uses verses and choruses. The chorus tells the listener the essence of the song. The verse explains the situation behind the emotions of the chorus. That part is usually pretty cut-&-dried. But there are other miscellaneous sections your songs might use. And a commonly-used section (also a commonly-misunderstood […]
When I write music, I like starting with melody first. But melody-first writing means also thinking about chords. That’s because the musical part of our brain is always assembling melody notes and coming up with chords. If you want to see how this works, click to listen to this melody: A simple enough melody. Play it […]
A song’s bridge usually follows the second go-through of the chorus. And it’s a good opportunity for you temporarily to explore a new key area. That’s because by the time this part of the song happens, a listener’s musical brain is ready for something new. So a bridge will usually give you: a new melody; a new […]
