It’s hard to talk about songs as being “good” or “bad”, since those terms refer so much to the taste and experience of the listener. What’s good for one listener might sound pretty bad to someone else. And that’s to be expected in the world of songwriting, or, frankly, anything in the creative arts. On track […]
I always avoid doing the “old man rant” on this blog, but this may stray into that category… forgive me! One of the biggest problems I have with top-rated Billboard Hot 100 songs these days is that the chords are usually pretty simple and, frankly, uninspiring. Don’t get me wrong, a simple progression that works […]
Writing songs is not always easy. Some would argue that it’s never easy, but you get such a great feeling from completing one that it makes the task worth it, and you want to do it again. That makes sense, because when something gives you a challenge, and you finally succeed, you get what might […]
If you look at the number of different notes that any one good melody uses, you might be surprised by how few there are. For many songs, most of the notes will be from one octave, and often less. In a song like “Hound Dog”, most of the song is comprised of 3 or 4 […]
There’s an inherent danger in writing songs by starting with the chords, which is that the melody can get a bit static and uninteresting. You may have come up with a chord progression you really like, but when you try to add a melody to that, you often find yourself stuck on one or two […]
There’s more to a song hook than meets the ear… a lot more. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base” is a vital manual for any serious songwriter. The issue of complexity and simplicity in songwriting is an important one. Songs that are too simple are usually […]
