Changing key within a song is one way of keeping things interesting. One of the most popular ways to do this is to create a song verse that’s in a minor key, and then switching key (called modulating) to the relative major for the chorus. Lots of songs do this, and you can take Eagles’ […]
Getting melodies and chords working well together is vital knowledge for any songwriter. “How to Harmonize a Melody” shows you, step by step, how that works, and gives you sound samples to follow. About seven years ago I wrote a blog post about the best way to create chord progressions for a song’s bridge. I […]
Historically, music was all about melody, not chord progressions. In fact, if you go back in time a few hundred years, let’s say to the 1400s or 1500s, the concept of “harmony” was a bit different from what we have today. In those days, “harmony” was what happened when various melodies were played at the […]
I was asked by the folks over at Songwriting.net to write an article for their website. They posted it yesterday, entitled “7 Ideas for Creating Chord Progressions.” I hope you’ll take a look. I’ve put a short excerpt below: There are basic principles about the way chords work that aren’t much affected by genre. What […]
A bass pedal point refers to a situation where you keep the same note in the bass (or left hand of a keyboard instrument) regardless of the chords that are playing above it. Pedal point can make an otherwise boring progression sound much more interesting because when the bass stays the same it will clash […]
Contrast is a big part of what makes great songs great. Even if that contrast is something as simple as loud versus soft (instrumentation) or low versus high (melodies), contrast is crucial to keeping audiences interested. Within chord progressions, contrast usually happens when differentiating between major and minor. Songs might feature a minor verse, and […]
