When a songwriter is asked the question, “How do you start a song?”, they usually mean, “Which element of a song (lyrics, melody, chords, etc.) do you work on as your first step?” That element then becomes the identifier for a particular songwriting process: a “lyrics-first process”, a “melody-first process”, and so on. No matter […]
There are probably lots of ways to categorize chord progressions, but for songwriters, the most helpful way would be to think of them as either being fragile or strong. Those terms, fragile and strong, pertain to how clearly identifiable the key is. For progressions that wander about, with lots of interesting twists and turns, you’re probably […]
It used to be that “repeat-and-fade” was the most common way to end a pop song. There was something nice about it — a sense of “riding off into the sunset” that had the effect of making you feel that the song was still out there somewhere. These days, repeat-and-fade is a lot less common. […]
A bass pedal point refers to a situation where you keep the same note in the bass (or left hand of a keyboard instrument) regardless of the chords that are playing above it. Pedal point can make an otherwise boring progression sound much more interesting because when the bass stays the same it will clash […]
Some songwriters start their process by working out a good chord progression as a first step. From there, they automatically create a backing rhythm that brings that progression to life. Once they’ve done that, the mood it generates makes them feel comfortable coming up with bits of melody and lyric, and the song starts to […]
Songwriting is problem-solving. For every song you’ve ever written that really works well, you’ve probably solved dozens or more problems that have taken you from the initial concept through to the finished product. Over the past couple of decades I’ve helped songwriters solve issues related to their songwriting, either working directly via in-person or online […]
