How much thought do you give to the note you choose to start your song melodies on? It may seem trivial because from that first note you can move in any direction you want, and so it may not feel as though it matters a whole lot, once you’re a few notes in. But I […]
Yesterday’s blog was all about using chord inversions — so-called “slash chords” — in your songs. It got me thinking about other aspects of chord use in songs. Here is a quick list of five things every songwriter should know about this very important topic: 1. Chords work very much the same way regardless of […]
An inverted chord is one in which the lowest-sounding note of the chord at any given moment is not the root of the chord. Inversions have a subtle way of manipulating the mood that a particular chord conveys, and can be a really great tool for songwriters looking to make their chord choices sound more sophisticated. […]
If you ask someone my age (a child of the 1960s, a teen of the 1970s) what they think of today’s pop music, you’ll probably get an earful. Most negative opinions of today’s music will come down to the fact that songs today seem uninspiring, noisy and mindless. “The melodies aren’t interesting”; “The chords are […]
It’s hard to define what a rock anthem is. It’s the sort of song form that you recognize when you hear it, though. The most important quality of an anthem is probably universality: the notion that everyone could join in and sing the chorus together, and feel a sense of camaraderie and celebration for doing […]
It’s a common problem for most songwriters at one time or another: you come up with something that’s really catchy, and sounds like the start of a killer song. But then… nothing. You just can’t seem to move beyond that catchy fragment of music. What can you do? On track to make songwriting a full-time […]
