Robin Gibb once said that a great song is all about a great melody. It really depends on the genre, but most of the time I think he’s right. When you’ve hooked a listener with a good melody, you’ve given them something to hum — something to remember. A great melody is a powerful way […]
If you’re not a writer or performer of music, then it’s logical to say that music is something that you only ever listen to or dance to. That usually means that when you listen to songs, you make a quick (usually subconscious) judgment about whether or not you like the song. If you like it, […]
Good songs don’t follow rules; it’s more a case of following guidelines. That means that every time you think you’ve identified a songwriting “rule”, you can come up with a list of songs that don’t follow it. Here’s a good example: if you look at a hundred different songs and try to identify the characteristics […]
There’s a lot you can study about chords — about the way they work, how to choose them, and how one progression relates to another. All of it comes under the large umbrella called chord theory, and it’s a very large umbrella. Some songwriters have a knack for it; it’s not something they have to consciously […]
Starting a song by coming up with the title first can be a great way to get your musical imagination working. The title of a song is usually part of the lyric, and it’s often an integral part of the hook. When song titles occur as a prominent part of the chorus — either at […]
What’s the biggest problem for songwriters around the notion of process? It’s just my opinion, but I believe that over-thinking your process can be the biggest one. Every songwriter has their own way of approaching the task of writing songs. Most songwriters will be careful to tell you that they use many processes: no one song […]
