I remember a while ago listening to someone’s song, trying to analyze what the problem with the chorus was. The songwriter had sent it to me, telling me that she felt the song started with great promise, but halfway through the chorus, everything sounded underwhelming. In that particular song, we diagnosed the problem as being […]
If you always give the audience what they’re expecting, that’s a recipe for losing a fan base. It’s true that your fans are going to expect a certain style of songwriting from you, but if you never venture outward — never explore the extremes — your fan base is going to get lulled into the […]
A pre-chorus is not a mandatory section of a song. In fact, most songs don’t use them. But in some circumstances, a pre-chorus can be a vital addition to the structure of a song. It sits between the verse and chorus, and its main purpose is to better prepare the listener for the arrival of […]
One of the most powerful and effective aspects of songwriting is creating a sense of expectancy. That term expectancy refers to a song’s ability to make you want to hear what happens next. Without that quality of expectancy, a song would have no ability to keep listeners listening. The best element to look at to see expectancy […]
Whenever you play a chord, you’re usually playing it in what’s called root position. This means that the root of the chord (the note represented by its letter name) is going to be the lowest-sounding note — the one that the bass is playing. If you want hundreds of chords to experiment with, “The Essential […]
There is research out there that tells us that people like listening to sad music. It doesn’t necessarily bring them down, and in fact can have an opposite, buoyant effect. That’s because as listeners, we want to feel something, and as long as whatever the sad song is about isn’t describing our own state of affairs […]
