It’s somewhere between possible and likely that when you come up with a song melody, you’re following pure instinct. You may work and re-work lyrics and may spend a lot of time tweaking the chords, but I wonder if melodies always seems a bit random, where the changes you might make over the course of […]
It seems that the era of one song-one songwriter is quickly passing us by. There really aren’t many hit songs that are written by one songwriter anymore. Part of the reason for that is that how we assign credit has changed. In the 60s, for example, you might, as part of the band, suggest a different […]
Chord progressions, even in music that sounds innovative or novel, are usually the most predictable part of a song’s design. A song might have lyrics that are hard to understand, and use odd instruments, time signatures or unpredictable melodic ideas, but chords are usually the most easily understood part. That’s why I often use landscape […]
You’ll notice that when you’ve got a melody, the notes of that melody imply the chords you’re likely to use. That’s not to say that you’ve got no choice in the matter, of course. For every chord you might use, there is a list of chords that could serve as substitutes. Just as an example, […]
Melodies and lyrics are protected by copyright, unless they’re old enough to have passed into public domain. But chords? You can usually use chord progressions from already-existing songs, even if that song is newly composed and under copyright protection. Looking for lists of progressions you can use in your own songs? “The Essential Secrets of […]
In music, the tonic chord is the one that represents the key. So for a song in C major, C is the tonic. To use a metaphor, it’s home. Progressions may meander around seemingly aimlessly, but once you play the tonic chord, you sense relaxation: you’re home. Are you a chords-first songwriter? Are you getting […]
