Have you ever written one of those songs that just doesn’t work, no matter what you seem to do to it? Of course, the most common solution is to put it aside, maybe forget about it, and get on with your next one. Before you give up entirely on that song that isn’t measuring up, […]
Musicians and psychologists hold slightly different practical definitions for what is known as the contrast principle. A good description of a psychologist’s use of the term might be something like the following, which comes from the JackMalcom.com website: If you put your left hand into a bucket of cold water, and your right into hot water, […]
If you have a chord progression that works but doesn’t do much to inspire you, you can of course toss it and look for another. But with the simplest of changes, you can take a progression from being mundane to something much closer to awe-inspiring. So let’s say you’ve got the following simple progression: C […]
Sometimes it’s the case that you’ve written a song, played it for yourself a few times, realized it sounds bad, and your instincts are to trash it and go do something else. The truth is that somewhere between many and most songs start out as something that just doesn’t work. In other words, most songs […]
If you like to start your songwriting process by working out bits of melody first, one of your biggest challenges might be the adding of chords. How do you work out a chord progression that supports your melody? It’s a bit amazing, when you think about it, that melodies can be so different, but chord […]
Last week I wrote about the similarities between classical and pop music, and what today’s songwriters can learn from the classics. Today I want to look specifically at song melodies, and see to what extent the structure of a pop melody resembles that of a classical work. There is a book that is in great […]
