Using a chords-first songwriting method usually means starting out by improvising on chords until something interesting pops into your mind. But one of the drawbacks to this process is that you can waste a lot of time simply trying to find chords that work well together. I’ve placed two charts below, one for major keys and […]
Yesterday I wrote about how to take old melodies and make new ones. The end result should be a song that bears no resemblance whatsoever to the original tune, and that’s the intent. That method should allow your own creativity to make something entirely new out of something old. Having said that, unintentional plagiarism is […]
I’ve just published a new songwriting video today, “5 Reasons to Include a Bridge in a Song’s Design“. It’s based on posts I’ve done in the past on this blog about the bridge section, and looks at five situations that arise in a song that can be dealt with by including a bridge. In truth, […]
A song that we love can seem to have a really enticing chord progression, but when you really dig into the song to find out what they’ve done regarding chords, you often find that they’re very ordinary, and that it’s other things — syncopated rhythms, chord inversions, and melodic shapes above the chords — that […]
When we talk about a song’s key, we’re usually talking about the key of the chorus. That’s because it’s not that unusual for various parts of songs to have different key centres. The chorus, the part that gets the most attention, is the section we usually think of when assigning an overall key to a song. […]
It’s possible to do entire songs with the same progression from beginning to end. That used to be rare — I can think of America’s “A Horse With No Name” from 1972 – Em and D6add9 for verse, chorus and solo. And doubtless there must have been a disco hit or two that got built on one […]
