There is a necessary simplicity in good pop songwriting. And that simplicity might make you think that transitioning from progressive rock to pop is something you’d do if you’re just tired of creating more complex music. But that’s the wrong way to look at it. Pop music can offer — should offer — every opportunity […]
Psychologists will tell you that pattern recognition is a bit of an area of expertise for most humans. Our brains just seem to be wired to seek out any and all occurrences of patterns. We get a kind of pleasure from seeing and experiencing patterns. So many songs in the pop genres succeed or fail […]
There are many ways to categorize chord progressions, but the best way system for songwriters is to classify them as being either fragile or strong. These two words, fragile and strong, pertain to the key of your song, and specifically refer to whether a progression makes the key very obvious or somewhat ambiguous. Getting melodies […]
Many songwriters feel uncomfortable writing songs by starting with a melody. To them, a melody-first songwriting process means sitting with a digital recorder and mindlessly humming some notes until a usable melody miraculously appears. Then you’ve got the task of adding chords to that new melody, and it all seems daunting. Trying to get a […]
Inverted chords, often called “slash chords” because of the way they’re notated (C/G: “C slash G”) can add a very useful sense of creativity to an otherwise ordinary chord progression. In fact, if you’re looking to make your progressions sound a bit more inventive, exploring ways to use inversions should be your first step. Here’s […]
Changing the key of a song is not all that common. Most of the time a song will end in the same key that it started in. When a song does change key it’s often the case where the verse is in a minor key, and then switches to the relative major key for the […]
