In order for a melody to be successful, it needs to be easily remembered by a listener. If your melodies sound like aimless wandering, you’re going to have trouble building an audience for it. The best melodies out there are the ones that people can hum or sing, even if they aren’t great singers. When […]
There are lots of ways to categorize chord progressions, but the one way that will be most useful for pop songwriters is to think of them as being either fragile or strong. A fragile progression is one where the key is not necessarily clear and obvious. These can be very beautiful progressions, and are the kind that […]
An inverted chord is one where the letter name of the chord (C, let’s say) is not the lowest sounding note. Normally, if you play the C chord in your band rehearsal, that means that the lowest sounding note, the one played by the bass or left hand of the keyboard, will be C. “The Essential […]
A bridge section, sometimes also called the middle eight, is an optional section that usually happens after the chorus’s second appearance in a song, or after the second verse or refrain for songs that don’t use a chorus. Songs With a Chorus Verse – Chorus – Verse – Chorus – Bridge – Final Chorus Repeats or Verse […]
When you listen to a song just for entertainment, you’re not usually aware that parts of the song are musically ambiguous in some way, while other parts are clear and strong. Let’s say, for example, that you start your song by writing a verse that uses this short progression: C-Bb-C-Bb-C-Bb… There’s a kind of ambiguity associated […]
If you write your own lyrics, I hope you know the value of creating word lists. One benefit is obvious: once you have a general topic, lists of pertinent words will give you the basic vocabulary from which you can pull together a lyric. But there is another benefit that you may not be thinking […]
