Here’s something interesting: the melody that Paul McCartney uses as his verse melody for “You Never Give Me Your Money” (“Abbey Road” album) serves, for all intents and purposes, as a bridge melody for “Carry That Weight.” True, the fact is that its appearance as a bridge melody is overshadowed by the fact that its main […]
Symphonies and operas are probably the longest complete works in our musical history. By the time you get to the end of the Romantic era (i.e., the end of the 19th century), a typical symphony (or symphony-like work) could be over an hour long. By contrast, songs in the pop genres (pop, country, rock, etc.) […]
Lately I’ve been thinking and writing a lot about musical momentum… that quality that keeps people listening to a song. Without it, songs would just be one nice sound following another nice sound, and though it may seem strange to say, that’s not enough to keep people listening. There’s a sense of expectation that keeps people […]
In songwriting, momentum is that quality of music that causes us to want to keep listening to a song. Another term for momentum is musical energy, or forward motion. When created and used properly, momentum is a pleasant kind of “tension” in the music, where we sense that something needs to be resolved. If you’re stuck trying […]
Figuring out the differences between verses and choruses can be tricky enough, but sometimes the biggest problem you’ll have is figuring out what to do with a second verse in your song. And because songs are all about momentum and musical flow, the danger with a weak verse 2 is that the musical flow can […]
It would be silly for me to try to say that the topic you choose for your song isn’t all that important. Of course it is. But audiences don’t connect easily with topics. And by “connect,” I mean feel something. Some topics come loaded with emotion, mind you, even by the mere mention of it: the […]
