Having the verse and chorus in different keys is not rare if you consider the number of songs where the verse is mainly in minor, and then the chorus switches to the relative major. Sometimes the minor-major relationship is a different one, like Lady Gaga’s “Paparazzi” (Stefani Germanotta, Rob Fusari), which has a verse in […]
I get songs sent to me now and again, for me to give my thoughts on improving them. (If you’re having a problem with something you’re writing and would like my input, I’ll direct you to this post. It will let you know how to go about that.) Here’s an interesting fact about the songs […]
You’ll often hear that the verse is where you tell the story in your song. Most of the time, however, a song verse tells its story in a roundabout sort of way. There are the songs we call story songs – the ones that give a specific account of events in a sequence we’re used to when we […]
There’s nothing like the term “song form” to have one’s eyes glaze over. In songwriting, you just want to get going with your writing. And you’ve probably written dozens of songs up to this point without even giving the term “form” a second (or even a first) thought. When we talk about form, we’re talking about […]
There’s a quick answer to why you’d ever use a pre-chorus in your song: by the time you get to the end of the verse, it feels too soon for the chorus. A pre-chorus is that little optional section that sits in between the verse and chorus. Choruses tend to be more energetic than verses, and […]
One of the main reasons songwriters get stuck in a creative rut is an overused songwriting process. If you find that you’re always approaching songwriting the same old way, and using the same structural design and chords over and over again, just changing how you approach writing can quickly break you out of a creative […]
