A couple of posts ago I wrote about using palindromic chord progressions (ones that read the same in both directions) as a possible way of making a connection between verse and chorus. Here’s another thought: if you find that your verse and chorus are using the same, or almost the same, progressions, try taking the […]
If you were to give a speech, you’d first establish what you should be talking about, limiting yourself to a small number of related ideas. You’d then present those ideas to an audience. Once you’ve presented the ideas in general terms, you’d develop and expand on them in (hopefully) interesting ways. You’d likely then finish […]
In common usage, a bridge is the section of a song that usually comes after the second chorus: Verse 1 – Chorus – Verse 2 – Chorus – BRIDGE – Chorus – Chorus… You’ll sometimes see this section termed the “middle 8”, but the concept is the same: you’re looking for a way to provide […]
By Gary Ewer, Senior Instructor, Dalhousie University, from “The Essential Secrets of Songwriting” website. • Follow Gary on Twitter • Make songwriting enjoyable again! Check out “The Essential Secrets of Songwriting” 6 e-book bundle – available now at a 50% savings! ________________________________ You can measure the success of your song by whether or not people are humming it to themselves long […]
By Gary Ewer, Senior Instructor, Dalhousie University, from “The Essential Secrets of Songwriting” website. • Follow Gary on Twitter • Make songwriting enjoyable again! Check out “The Essential Secrets of Songwriting” 6 e-book bundle – available now at a 50% savings! ________________________________ I use the term “plateau pitches” to describe a way of constructing melodies where the notes dwell on one […]
There are many songs that use the same or similar melody for the chorus as is used for the verse. It works if you’ve come up with a good, hooky sort of melody. But using a similar melody presents you with a problem: how do you make sure that you don’t simply bore your listeners […]
