Back in 2000, Faith Hill had the number 1 country tune and pop single of the year with “Breathe” (Stephanie Bentley, Holly Lamar). It’s hard to believe that it’s been twenty-one years since that song hit the charts! “Breathe” is a great example of a song where the range of the chorus notes is approximately […]
Try this little experiment the next time you’re listening to music on the radio. Put your radio in an automatic scan mode, where it moves through the dial, stopping on radio stations as it finds them, and then plays 7 or 8 seconds before moving on. As it stops at each new station (and assuming […]
Changing key within a song is one way of keeping things interesting. One of the most popular ways to do this is to create a song verse that’s in a minor key, and then switching key (called modulating) to the relative major for the chorus. Lots of songs do this, and you can take Eagles’ […]
Getting melodies and chords working well together is vital knowledge for any songwriter. “How to Harmonize a Melody” shows you, step by step, how that works, and gives you sound samples to follow. About seven years ago I wrote a blog post about the best way to create chord progressions for a song’s bridge. I […]
A few articles back I gave some advice on what to consider when you’re trying to write a good chorus hook (“Creating Effective Song Hooks“). But what do you do when your verse and chorus use the same or very similar melody? How can a chorus hook do its job if the verse is using […]
Most of the time when you talk about the hook of a song, you’re talking about the main, distinctive part of the chorus. There are many different ways to hook a listener, but you could argue that the chorus hook is the most important one, as it gives listeners the most memorable part of the […]
