If you look at a lyric from a typical pop song, you’re not usually looking at something that’s deep or complex. Usually that’s by design: the purpose of most pop songs is to create emotions within the listener, and it’s hard to create emotions when the words and their contextual meanings are intricate or convoluted. […]
Maybe I’m just not paying enough attention to today’s new music, but it seems to me that in the 70s and 80s, mainstream pop groups did a better job of using interesting chord progressions that added a lot to the overall effect of their music. As you likely know, I encourage especially newer songwriters to […]
Getting melodies and chords working well together is vital knowledge for any songwriter. “How to Harmonize a Melody” shows you, step by step, how that works, and gives you sound samples to follow. There’s nothing keeping you from using someone else’s chords in your own song, since chord progressions aren’t protected by copyright. Having said […]
The first piece of advice I always give to songwriters who are contemplating using a complex, strange chord progression in their songs is this: Make sure the progression actually works, and isn’t just needlessly convoluted. The best chord progressions — even complex ones — are the ones that stay out of the way and support […]
Try this little experiment the next time you’re listening to music on the radio. Put your radio in an automatic scan mode, where it moves through the dial, stopping on radio stations as it finds them, and then plays 7 or 8 seconds before moving on. As it stops at each new station (and assuming […]
A refrain is not a short chorus. It’s better thought of as the end of a long verse. In that respect, since most song refrains will end on the tonic chord (the I-chord of your chosen key), the best chord progressions for a refrain will be ones that drive strongly toward that tonic chord by […]
