Synthesizer player - Songwriter

Creating Chord Progressions That Work in Practically Any Song

A good chord progression has a sense of direction. It doesn’t just wander about, one nice chord following another nice one. Once a progression starts, it’s usually the case that it targets a particular chord, making that one chord more “important”, so to speak, than the others. You see this targeting of that one important […]

Abstract music

Complex Lyrics: Emotion Versus Meaning

Don’t miss out on a free copy of “Use Your Words! Developing a Lyrics-First Songwriting Process.” It’s free when you purchase “The Essential Secrets of Songwriting 10-eBook Bundle” If you like writing complex lyrics, where the meaning isn’t likely to be immediately obvious to your audience, you’ve got one main problem to overcome: to stimulate […]

guitarist - songwriter

Getting a Weird Chord Progression Working: 2 Methods

Most songs in the pop genres use simple chord progressions. “Simple” means that they target the tonic chord — the chord that represents the song’s key — and make that tonic chord sound like “home.” These sorts of progressions: C-F-G7-C (I-IV-V7-I) C-Am-Dm-G-C (I-vi-ii-V-I) C-Dm-G-C (I-ii-V-I) These are all in the key of C major, and […]

Musical Energy

Using the Natural Energy of Music in Your Songwriting

When we talk about the energy of music, at least in strictly songwriting terms, we’re talking about the sense of the music being propelled forward. In this sense, I’m not necessarily talking about how powerful, loud or energetic the music sounds or feels; I’m talking about musical momentum. For example, when one section of a […]

Keyboard - Chord Progressions

Simplicity as a Starting Point

As a songwriter you may be attracted to the notion of writing something complex, something that really gets your audience thinking. Complex chords, intricate harmonies, thoughtful lyrics, melodies that surprise… it’s all part of what makes your 4-minute song something that will stimulate the imagination of your listeners. The problem with complexity in songwriting is […]

Brian May - The Prophet's Song

Strangeness as a Design Feature in Songs

When I was a student at McGill University back in the mid 80s, I heard a performance of a remarkable piece of music called Opus Clavicembalisticum, written by the composer Kaikhosru Shapurji Sorabji, born in London, England. When it was written (1930), Opus Clavicembalisticum was the longest piece of piano music ever written: 4-and-a-half hours in length. The […]