I talk a lot about the concept of “fragile” versus “strong” in songwriting, and particularly when I’m talking about chord progressions. In that regard, “strong” means “clearly indicating the key with a short, unambiguous set of chord changes.” With chords, “fragile” means the opposite: making the key less clear — less obvious, by creating a […]
You may not think of tempo as being part of a song that warrants a lot of experimentation. Usually in the songwriting process you’re focusing on chord choice, melody notes, and of course lyrics. But tempo has a huge role to play especially in creating a mood for your song. Moreover, it can allow you […]
“Rockin’ in the Free World” is one of Neil Young’s most popular songs. It’s number 216 on Rolling Stone’s 500 Greatest Songs of All Time. Every time I ever do a “Why It Works” analysis of a song on this blog, you’ll see me mentioning some aspect of the simplicity of design as a positive feature, […]
Make a little list of what you consider to be the best songs you know, and you’ll probably see one thing that is in common: each song represents a partnership of ideas. What does that term “partnership of ideas” mean? It refers to the fact that all the various components of a song — the […]
When you listen to a song just for entertainment, you’re not usually aware that parts of the song are musically ambiguous in some way, while other parts are clear and strong. Let’s say, for example, that you start your song by writing a verse that uses this short progression: C-Bb-C-Bb-C-Bb… There’s a kind of ambiguity associated […]
A couple of weeks ago I wrote a blog post about song hooks, and how to diagnose problems you might be having with the hook for your song: “When Your Song’s Hook Isn’t Doing Its Job.” In that article I gave a list of four important characteristics of good hooks. “Hooks and Riffs: How They […]
