Keyboard player - songwriter - chord inversions

Back and Forth Between Major and Minor Within the Same Chord Progression

Contrast is a big part of what makes great songs great. Even if that contrast is something as simple as loud versus soft (instrumentation) or low versus high (melodies), contrast is crucial to keeping audiences interested. Within chord progressions, contrast usually happens when differentiating between major and minor. Songs might feature a minor verse, and […]

Microphone

How Melodies Move Up and Down Within Your Song

Good songs are almost always about contrasts. If you look closely at chord progressions, you’ll notice major and minor chords: opposites working together. With instrumentation, you’ll often see sparse, transparent sections (often the verse) contrasting with fuller, busier parts (the chorus). Contrast is an important part of what keeps listeners coming back to your song. […]

Music concert microphone

Using the Direction of Your Melodies to Create Musical Contrast

You may not have considered the up-or-down direction of your song melodies as being all that important, but it can go a long way to adding structure and musical interest to your song. Specifically, contrasting upward-moving phrases with downward-moving ones can be an aspect of musical contrast that keeps listeners listening. What I’m about to […]

Singer - songwriter

Why Chorus Melodies Are Usually Higher Than Verse Melodies

Good music isn’t determined by adherence to rules; it’s more a case that the best songs are guided by certain musical principles. One of those guiding principles is that chorus melodies should normally be pitched higher than verse melodies. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base” describes […]

Paul McCartney - John Lennon

The Differences Between Lennon’s and McCartney’s Melodies

Generalizing any aspect of a songwriter’s output is straying into dangerous territory. That’s particularly true of the music of Lennon and McCartney. They were arguably the most versatile writers of pop song of their generation, and probably even now. As soon as they wrote a hit, it was back to the drawing board to come […]

Paul McCartney

When the Verse Melody Becomes the Bridge

Here’s something interesting: the melody that Paul McCartney uses as his verse melody for “You Never Give Me Your Money” (“Abbey Road” album) serves, for all intents and purposes, as a bridge melody for “Carry That Weight.” True, the fact is that its appearance as a bridge melody is overshadowed by the fact that its main […]