Words and music need to act as partners in a song, but how do you make sure your melody is helping your lyric? That’s what Chapter 5 of “The Essential Secrets of Songwriting” deals with. Get it as part of the 10-eBook Bundle, or purchase it separately. Being a songwriter takes a lot of courage. […]
Part of being a songwriter is being able to objectively critique your own songs. That term, objectively critique, means all of the following: You can listen to your own songs as if someone else actually wrote them. You can focus in on exactly where problems may lie. You can make radical changes to your songs if necessary. […]
People who don’t write songs (or choreograph ballets, or write plays, novels, poetry…) can be forgiven for not understanding how the word courage has anything to do with the creative arts. For any songwriter who composes truly original music, who has more of an interest in being themselves than simply giving the public what they want, knows that courage is […]
If you’re not familiar with the music of Jack Garratt, you’re missing out. Every aspect of his music is worthy of some pretty intense study: the melodies, the power of the vocals, the fantastic production, and then those captivating videos. I think what I like most about his music is his ability to create something […]
I remember one of my first public musical experiences: playing a trumpet solo at church. I was so nervous that just standing up and walking to the front felt almost literally like an out-of-body experience. My face was hot — probably glowing red, and my arms were shaking (not good if you’re a trumpet player.) I don’t […]
As a student of music composition a number of years ago, I never wrote a piece of music for which somebody didn’t express an intense dislike. Those were pre-internet days, so I didn’t have to deal with online trolls, who can demolish your confidence if you let them. The key phrase there is “if you let them.” It […]
