When you love a song, its main hook is usually its most important feature. In a sense, no matter what else goes on in a song, everything works toward the hook. While the quality of all features is vital, everything culminates in the hook. It’s like climbing a mountain. The mountain peak is the immediately identifiable feature. That […]
What exactly is song structure, and how important is it to the success of a song? When we talk about structure with regard to, let’s say, a house you’re building, we can generate a good number of analogies, all of which, it could be argued, apply metaphorically to songwriting: A house has walls, beams and other […]
In 1937 Carl Orff wrote “Carmina Burana,” a 25-movement song cycle/scenic cantata that became an instant audience favourite. My choir, Dalhousie Collegium Cantorum, is working on this piece in preparation for an early-April performance, and it’s a ton of fun. Even if you aren’t familiar with the entire work, you likely do know the epic first song, “O […]
When you talk about the form or design of a song, most people understand that you’re likely talking about the overall structure of a song — the verse-chorus-other aspect. Non-musicians likely know that most songs will move from the intro to the verse to the chorus, and then they might know to expect to hear a pre-chorus or […]
Your song’s chorus is often going to be the most energetic part of your song, with the possible exception of a bridge that might really take things to new levels. But even in songs where the bridge is energetic, you’ll find that the return to the chorus afterward is all the more dynamic and lively. In […]
Writing a song that’s mainly a set of verses, each one ending with a pay-off line, has a simplicity that really works well. The pay-off line– a refrain — often sneaks into the song at first, without it being obvious that it’s operating as a powerful closer that’s going to keep coming back. Bruce Springsteen’s “All That […]
