It might be over simplistic to say, but one of the main jobs of a song verse, particularly in the pop genres, is to get the listener to the chorus. That’s certainly not to say that a verse is unimportant. A good verse does several important things: Through the lyric, it sets the scene and describes […]
Do you ever feel that your chorus has problems, but no matter what you do you can’t seem to get it to work? When that happens, the problem often seems to be that the chorus doesn’t sound like a chorus. You expect a certain kind of musical punch to come from a chorus, but figuring out […]
I’ve aterritten a fair bit lately about making a verse more effective, either by creating an interesting key change, or by paying closer attention to how the verse connects to the chorus. In this post, I want to look more closely at the chorus itself, and address an issue when the chorus itself just doesn’t […]
If you’re a carpenter and you like to build your own furniture, you know that your hobby is mainly two activities: Designing your project. Building your project. There is a similarity between carpentry and songwriting in that both activities involve designing and “building”. The main difference, though, is that songwriters are often designing as they […]
If you’ve been writing songs for a while, you’ll know that lyrics change in character as a song progresses. To generalize, you’ll notice the following: VERSE LYRICS: Verse lyrics set the stage, recount details of a story, describe characters, etc. It lays out the narrative, the storyline or general song topic. “Hooks and Riffs: How They […]
Many songwriters will find the chorus to be easier to write than the verse. That’s because a chorus design is typically simpler than that of a verse. In particular: A chorus melody features repetitive hook-like cells that are easy to sing and easy to remember. A chorus chord progression targets the tonic chord (i.e., they’re […]
