It’s probably a product of the age in which we live, but once we’ve invented or created an item, our mind moves quickly to how we can mass produce that item for maximum profit. Songwriting isn’t much different, and that’s probably why songwriters talk a lot about formulas. In songwriting, a formula is a system or procedure […]
It’s amazing how much music you can write with so few ideas. Here’s what I mean: A typical song will have a verse and a chorus, with the possibility of some other optional section, like a bridge. Each of those sections are usually constructed on one main idea, with other related ones. So that means […]
The great thing about various possible song designs is that they usually work for any genre. It shouldn’t matter if you’re writing pop, rock, country, folk… the principles that make a formal design (verse-chorus-bridge, for example) work apply to any and all genres. And not just genres… you find them used in practically any era as well. That means that […]
I’ve just published a new songwriting video today, “5 Reasons to Include a Bridge in a Song’s Design“. It’s based on posts I’ve done in the past on this blog about the bridge section, and looks at five situations that arise in a song that can be dealt with by including a bridge. In truth, […]
It’s easy to see songwriting as a kind of problem-solving activity. The problem? Well, coming up with a finished song of course. And every decision you make – in a sense, every problem you solve – moves you closer to the end product: a completed song. But this kind of activity differs from most other problem-solving activities in the sense […]
You can define a multi-part verse melody in many ways, but the kind of melody I’m talking about is the kind you might find in a song like Eagles’ “Take It Easy” (Jackson Browne/Glenn Frey), which is a verse-only song where the verse consists of several short phrases joined together to make one complete melody. I’ve been thinking […]
