I don’t at all want to give the impression that the chorus hook is so important that it makes whatever you do in a verse unimportant. It most certainly is important that everything you write is something people want to listen to. But when it comes to standard pop song formats that use a series of […]
Back in 1982 Bruce Springsteen released “Nebraska,” his sixth studio album. It’s the perfect example of “barebones.” Springsteen played all the instruments himself: guitar, harmonica, mandolin, glockenspiel, tambourine, Hammond organ and synths. He even recorded the album himself at home on a small 4-track Teac cassette machine. Stuck with how to get chords that fit […]
Songs are our best teachers, but what if you can’t tell WHY some songs work so well? “The Essential Secrets of Songwriting” 10-eBook Bundle reveals eleven important principles of songwriting, and how they show up in practically every song ever written. Immediate download. If you’re planning to write a song that contrasts major and minor […]
The more you read about The Beatles and how they put their songs together (from about “Rubber Soul” onward, at least), the more you get the sense that each component of the song was planned, calculated and thought about. Their first album, “Please Please Me,” was recorded quickly, mainly all on one day. But as […]
Songwriters are very familiar with the chorus hook, but there are other kinds to experiment with, and you will want to discover the power of layering various kinds of hooks in the same song. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base” shows you how it’s done. One […]
There’s a persistent myth in the songwriting world that the more music theory you know, the more your songwriting will suffer. If you believe this, you’re missing out on truly understanding what music theory is, and how you could be using it to your advantage. If you want some evidence for the power of music […]
