Here’s an interesting little experiment you can try if you have several of your own songs in some sort of recorded format. Play each song, and for each one ask yourself “When is the first time in this song I hear something unique?” Here’s more of what I mean by that: Let’s say your song […]
Most songwriters I know are well able to keep two, and often more, songs on the front burner at any one time. Working on several songs simultaneously isn’t really all that hard to do, as long as you follow a few basic tips. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build […]
If you ask any songwriter which process they use, they’ll probably tell you that it differs from song to song. For most, it really depends on which musical fragment makes its first appearance in their musical mind. If it’s a bit of lyric, they’ll most likely to start by filling out that fragment with more […]
Generalizing any aspect of a songwriter’s output is straying into dangerous territory. That’s particularly true of the music of Lennon and McCartney. They were arguably the most versatile writers of pop song of their generation, and probably even now. As soon as they wrote a hit, it was back to the drawing board to come […]
Are you afraid of having others hearing your songs? Do you lack artistic confidence? Writing songs means striking a balance between predictability and innovation. Every song is at least somewhat predictable. That’s partly how we have genres in the first place. And every song is at least somewhat innovative, or we hope so. If there’s […]
Songs that use the same progression for the verse and chorus aren’t unusual, but when you write that kind of song you need to think about other ways to create contrast between verse and chorus. Most songs need that contrast, because it’s contrast that keeps audiences interested on a musical level. And chords often play […]
