Here’s a quick tip for you if you like complex chord progressions: keep the weirdness toward the middle of your progression, and make the beginning and ending of it tonally strong. Here’s what that means: Most songs in the pop genres are going to be in one key or another, and so if you want […]
Chord progressions offer an important sense of direction. It’s why they’re called progressions and not successions. And of course, most elements within a song come with a similarly important sense of direction. Melodies and lyrics typically work in a forward direction, but when performed backwards, they don’t usually work at all. “Chord Progression Formulas” shows you how […]
There are many songs that seem to show no particular relationship between the verse and the chorus, except for the fact that they both exist in the same song. Take a hit song like “Somebody That I Used to Know” (Gotye), and you’ll notice that the verse and chorus bear no obvious similarity. For the […]
Good lyrics have a strong sense of focus — of purpose and direction. It might help to make that statement the opposite way: bad lyrics wander about without being overly clear about what’s even being said. To say that a song lyric has focus means that it points toward a specific topic and doesn’t stray needlessly. […]
When a song melody moves upward, you hear an intensifying of musical energy. That’s because of the nature of the human voice. The higher we sing, the more tension we hear in the voice. You know that when you’re singing at the very top of your range that you hear that bit of strain. In […]
I’ve recently returned to listening to an album that really impressed me when it was released in 2015: “Carrie & Lowell,” by American singer-songwriter Sufjan Stevens. I hope you take the time to give it a listen. What I love the most about it is its transparency of sound. With simple guitar and keyboard accompaniments, […]
