Once you’ve written a song, do you have a list — even just a mental one — that you go through to assess your song? I have mentioned often that troubleshooting a song should really only be done if you’re noticing something about your song that isn’t really working, but you can’t identify what that […]
The notion of the so-called killer chord progression is a bit of a myth that I used to hear songwriters discuss years ago. It’s a myth, not because chord progressions can’t be powerful and epic, but because songs are nearly always about a partnership of many different elements. Trying to get the chords-first songwriting process […]
Not every song will have a notable melody. In general terms, the slower the song, the more important the melody becomes. Perhaps that’s because slower songs use melodies that use longer notes, making them more noticeable. With fast songs, melody notes typically fly by, and the basic groove of the song is probably more important. […]
“The Essential Secrets of Songwriting”Lyrics become all the more powerful when they’re properly paired with a good melody. That’s what Chapter 5 is all about in the eBook “The Essential Secrets of Songwriting.” Polish your songwriting technique with the 10-eBook Bundle. When you hear a great song, probably the last thing audiences are aware of […]
I’ve got several analogies I like to use to represent what’s going on when we write songs. Sometimes I find it useful to compare it to going for a walk or a short journey. That’s a useful comparison because it emphasizes the fact that, like taking a walk, we are aware that songs have a […]
New songwriters can be forgiven for thinking that there must be a right way and a wrong way to assemble a song. When we talk about songwriting process, there tends to be a belief that you should start with a certain element of a song (the lyrics, or the chords, or perhaps the melody) and […]
