Tracy Chapman

Using the Way Your Melodies Move to Enhance Musical Meaning

Thousands of songwriters are using “The Essential Secrets of Songwriting 10-eBook Bundle” to improve their songwriting technique. Become the most consistent songwriter you can be! If you like melody-first songwriting processes, you know there are several ways to proceed. Here’s one method, for example: You coming up with a melody, or fragment(s) of melody. You […]

Rob Thomas

Increasing Musical Energy In a Song

It’s a basic principle of good songwriting that musical energy should either stay the same or increase — rarely decrease — as a song progresses. If you listen to the start of Verse 1 end of most songs, and then skip ahead to the final moments, you’ll notice that an energy build has taken place. […]

Emotional audience

Song Topic is Important, But There Are Things Even More Vital

Don’t miss out on a free copy of “Use Your Words! Developing a Lyrics-First Songwriting Process.” It’s free when you purchase “The Essential Secrets of Songwriting 10-eBook Bundle” How do you choose a song topic? There are lots of ways to do it. I’ve known songwriters who gather ideas from the newspaper. Others who make […]

Jealous musician

Can Jealousy Get You Through a Bout of Writer’s Block?

When you’re experiencing a creative block of some sort, one where writing is causing considerable frustration, a good solution is often to simply step away for a few days and let your creative mind have a bit of a rest. And during that stepping away, it’s good to keep yourself immersed in music. There are […]

The Human Voice and Key Choice

“The Essential Secrets of Songwriting 10-eBook Bundle” covers every aspect of how to write great songs. Contains a Study Guide that keeps you focused on becoming a consistently better songwriter. Get today’s FREE DEAL when you make your purchase. Click below for details. I was watching an interview with Phil Collins, and he was talking […]

Amanda McBroom

Controlling the Emotional Build of a Verse-Only Song

Some songs make use of a verse-only construction, and Bette Midler’s hit “The Rose” (written by Amanda McBroom) is a good example of this. There are other songs that are mainly verse-only, with a short one-line refrain, like Lennon & McCartney’s “I Want to Hold Your Hand.” Those two song formats, verse-only and verse-refrain, both have […]