What are the main differences between a verse and chorus that you should be concerned about as a songwriter? You’re likely aware of all the commonly-known ones: Keep the verse melodic range a bit below the chorus. Allow melody notes of the chorus to elongate, especially on title words. Prevent your verse lyric from getting […]
If you want to know what a word means, you’ll look it up in a dictionary. So we say that a dictionary gives us the meaning. But not in the music world. Not to split hairs, but if you’re a songwriter, looking a word up in the dictionary gives you the definition, not the meaning. […]
Every songwriter I know wants to write something unique, and you don’t even need to wonder why. Simply put, uniqueness means it hasn’t been done before, and there’s no better way to set yourself apart from other songwriters than to write something that hasn’t been done quite that way before. While that may be true, […]
Improvisation plays an important role in pop songwriting. And we love that feeling of quickly coming up with musical ideas and having them sound great right from the start. Hopefully you know, however, that most songs, even the ones that seem to spill deliciously out of our musical minds within minutes, require some working and […]
There are many songs that seem to show no particular relationship between the verse and the chorus, except for the fact that they both exist in the same song. Take a hit song like “Somebody That I Used to Know” (Gotye), and you’ll notice that the verse and chorus bear no obvious similarity. For the […]
It’s an observation about lyrics that I’ve become aware of only recently: I tend to think of good lyricists as people who either a) make me think, or b) make me feel. Sometimes both simultaneously, (like you might experience with a song like, say, “Crying Lightning” – Arctic Monkeys (Alex Turner) but often one or the other. […]
