When we talk about musical energy or momentum, we’re often talking about how loud, quick or rhythmically complex a song is. We think of songs that have energy as songs that get us moving. But in fact, energy is more complicated than that. All songs have energy, even the very quiet, slow ballads that are […]
You’ll hear experienced songwriters and producers say that the chorus of a song should arrive before the 1-minute mark. This is particularly true of songs with moderate to quicker tempos. Slower ballads can tolerate longer verses, and so it might take a bit longer. That guideline is in place because producers like to ensure that […]
For most songs, if you speak of the hook, you’re talking about the chorus, and most likely the start of the chorus. Sometimes the hooky bit might be the end of the chorus, like Jimmy Gilmer and the Fireballs’ 1963 hit “Sugar Shack”. For pop songs, the hook has been a perennially essential ingredient. Because […]
A verse’s chord progression is sometimes short and strong, sometimes long and wandering. But no matter what its character, or how long or short it is, it usually does one important thing: it aims for the first chord of the chorus. Sometimes a verse will start in a key that’s different from the chorus. Often […]
Most people have little or no vocabulary when it comes to the structure of songs. The average person sitting in the local coffee shop listening to a song through their headphones wouldn’t know a bridge from a pre-chorus. But interestingly, if you actually ask someone, even with little or no musical background, “Is this section […]
I’d be in favour of a name other than bridge to describe the optional song section that occurs after the second chorus. Maybe “section 3.” A bridge implies that its main job is to transition from one thing to another newer thing, and to make that a smooth connection. But a song’s bridge most often takes the […]
