Most of the time you probably don’t think a lot about the rhythms you use for your melodies. That’s because the rhythm is usually determined by the lyric. The words you use will tell you what the rhythms are going to be. Many songs live or die on the quality of its hook. “Hooks and […]
A common stumbling block for songwriters is: how to continue a song once that initial song idea has been created. It can feel very discouraging, because often that first song idea happens easily, and you feel excited for what’s to come. And then… nothing. I wrote about this a week or so ago, and in […]
Most of the time you’re likely to work out most (or even all) of a song without thinking a lot about what key it’s in. That’s fair enough; if a song sounds good, it is, and it can work well even if the actual key is something you haven’t thought about. If you like the chords-first […]
If you’re looking for a song that has what amounts to being a textbook definition of a pre-chorus, that song would be Neil Diamond’s “Sweet Caroline.” The pre-chorus section (“Hands, touchin’ hands/ Reachin’ out,/touchin’ me, touchin’ you”) moves step-by-step higher while the instrumentation builds, the vocal style becomes edgier, and everything gets louder. Those are […]
In pop songwriting, a bridge (also called a middle-eight) usually occurs after the second chorus, or, in songs that don’t use a chorus, after the second verse. For songs in verse-chorus formats, this is the common position of a song’s bridge: Verse – Chorus – Verse – Chorus – BRIDGE – Verse – Chorus – […]
Musical energy is a subtle element. Most of the time people will think you’re talking about either loudness or rhythmic activity when you’re talking about energy. And while that’s often true, there’s a lot more to it. If you like starting songs by working out chord progressions, you need this eBook: “Writing a Song From […]
