Lately I’ve been thinking and writing a lot about musical momentum… that quality that keeps people listening to a song. Without it, songs would just be one nice sound following another nice sound, and though it may seem strange to say, that’s not enough to keep people listening. There’s a sense of expectation that keeps people […]
In songwriting, momentum is that quality of music that causes us to want to keep listening to a song. Another term for momentum is musical energy, or forward motion. When created and used properly, momentum is a pleasant kind of “tension” in the music, where we sense that something needs to be resolved. If you’re stuck trying […]
Figuring out the differences between verses and choruses can be tricky enough, but sometimes the biggest problem you’ll have is figuring out what to do with a second verse in your song. And because songs are all about momentum and musical flow, the danger with a weak verse 2 is that the musical flow can […]
If you ever listen to an old 1950s-era recording of jazz pianist Oscar Peterson, you’re probably hearing him with his trio which included Herb Ellis on guitar and Ray Brown on bass. No drummer at that time, but the three of them played with such a powerful sense of beat and rhythm that you don’t […]
When we talk about the energy of music, at least in strictly songwriting terms, we’re talking about the sense of the music being propelled forward. In this sense, I’m not necessarily talking about how powerful, loud or energetic the music sounds or feels; I’m talking about musical momentum. For example, when one section of a […]
It’s an important principle of all music that the energy we perceive at the end of a song should usually exceed the energy at the beginning. That increase in musical energy keeps audiences listening. But the build in energy is not usually a straight line. It’s an ebb-and-flow quality, and it usually takes the following […]
