If you like starting songs by working out the chord progressions first, you may be aware of one notable difficulty: melodies can sometimes get neglected. And that’s a problem, since the melody is the part that you hope your listeners will be humming. But there are ways to make sure that the chords-first songwriting process […]
If you’re a chords-first songwriter, sometimes all you’re really needing are some chord progression suggestions that you can experiment with. Once you’ve got chords that you like, it frees you up to move to other more important aspects of a song, like lyrics and melody. If you like the chords-first songwriting process, you’ll want to […]
When I’m writing original music — which is to say, composing, not arranging someone else’s tune — I practically always do some kind of melody-first method. When you hear a problem with your song, but don’t know how to solve it, you might find the answer in “Fix Your Songwriting Problems – NOW!” Get this eBook separately, […]
The composer Mozart almost always composed by finding a catchy melody as a first step, and then finding a bass line that supported it. Filling in all the missing instruments was, for him, something closer to a final step in composition. We can infer two things from this kind of compositional process: He considered melody […]
One of the biggest drawbacks to starting your songs by working out a chord progression is that melodies can get a bit neglected. Historically, composers in the Classical realm rarely if ever started compositions with just chords. They’d practically always start with something hummable (a melody), or something otherwise memorable (the lyrics, perhaps). And since […]
