One of the biggest challenges in writing good music is figuring out why the song you’re writing isn’t working. You feel that it started with such promise, but now everything sounds lame. Probably the best thing you can do for a song that isn’t working is the easiest thing: play it for someone. Preferably play […]
Most songs in the pop genres use simple chord progressions. “Simple” means that they target the tonic chord — the chord that represents the song’s key — and make that tonic chord sound like “home.” These sorts of progressions: C-F-G7-C (I-IV-V7-I) C-Am-Dm-G-C (I-vi-ii-V-I) C-Dm-G-C (I-ii-V-I) These are all in the key of C major, and […]
It happens to everyone – the closer you get to finishing your song, the more you realize you hate it. It’s just not working. You can’t even tell where the problems are, so you don’t know how to fix it. Most of these songs never get finished, because you’ve reached the point of diminishing returns: […]
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When a listener doesn’t like a song you’ve written, they don’t spend a lot of time thinking about it. They’re unlikely to analyze what they don’t like about a song. They’re more inclined to simply move on. That’s a problem for you, of course, because you need to know why! If you’ve written something that you […]
Part of being a songwriter is being able to objectively critique your own songs. That term, objectively critique, means all of the following: You can listen to your own songs as if someone else actually wrote them. You can focus in on exactly where problems may lie. You can make radical changes to your songs if necessary. […]
