In 1937 Carl Orff wrote “Carmina Burana,” a 25-movement song cycle/scenic cantata that became an instant audience favourite. My choir, Dalhousie Collegium Cantorum, is working on this piece in preparation for an early-April performance, and it’s a ton of fun. Even if you aren’t familiar with the entire work, you likely do know the epic first song, “O […]
When you talk about the form or design of a song, most people understand that you’re likely talking about the overall structure of a song — the verse-chorus-other aspect. Non-musicians likely know that most songs will move from the intro to the verse to the chorus, and then they might know to expect to hear a pre-chorus or […]
Your song’s chorus is often going to be the most energetic part of your song, with the possible exception of a bridge that might really take things to new levels. But even in songs where the bridge is energetic, you’ll find that the return to the chorus afterward is all the more dynamic and lively. In […]
We tend to think that the only people with any measure of musical ability are the ones that have a special gift for it. And while being a good musician requires a bit more than a passing understanding of how music works, musicianship is something that comes with being human. It’s in our DNA. The kind […]
Do you ever feel that your chorus has problems, but no matter what you do you can’t seem to get it to work? When that happens, the problem often seems to be that the chorus doesn’t sound like a chorus. You expect a certain kind of musical punch to come from a chorus, but figuring out […]
I’ve aterritten a fair bit lately about making a verse more effective, either by creating an interesting key change, or by paying closer attention to how the verse connects to the chorus. In this post, I want to look more closely at the chorus itself, and address an issue when the chorus itself just doesn’t […]
