Progressive rock isn’t everyone’s cup of tea. Most prog rock tunes are longer than the standard 3-4 minute length you expect with typical pop songwriting, and that alone will turn some listeners off. Also, it’s not unusual for prog rock songs also to use complex chords and lyrics. In other words, most music that would […]
If you’ve been planning to write a Christmas tune, you should be working on it now — Christmas is less than a month from now. In a way, there’s not really a lot of difference between a good holiday song and the ones you’d normally write. But if you’re looking to write something that everyone, […]
Similarity is a dangerous quality in the world of the creative arts. And it is a particular problem in pop songwriting, because — weirdly — it’s also an important quality. And it all comes down to how you define similarity and how excessive that similarity might be. If you’re ready to take your songwriting to its […]
If you look at your most recent song’s verse and compare it to the chorus, you’ll usually notice: There is likely a similarity in the kinds of chords you’ve used in both sections. The lyrics are probably different, with verse lyrics setting up a scenario, and chorus lyrics expressing the emotions created by the verse. […]
I had a professor once who, while commenting on what the music of the future would sound like, said, “Well, if we knew that, we’d be writing it now.” That’s very likely not true. What’s more likely is something like that scene from “Back to the Future”, when Marty plays “Johnny B. Goode”, which morphs into […]
There is a lot of attention paid to song choruses, and for good reason. A chorus is where the catchy bit is either going to do its job and pull in an audience, or it’s not. So there’s a lot riding on the success of a chorus. If you’re ready to take your songwriting to […]
