You might assume that a verse should have some connection to the chorus that follows it — something that makes the verse and chorus sound like musical partners. Creating musical partners of various sorts is usually a goal in good songwriting. But (with the possible exception of the lyrics) it is possible to write a verse and […]
An inverted chord is one where the letter name of the chord (C, let’s say) is not the lowest sounding note. Normally, if you play the C chord in your band rehearsal, that means that the lowest sounding note, the one played by the bass or left hand of the keyboard, will be C. “The Essential […]
A bridge section, sometimes also called the middle eight, is an optional section that usually happens after the chorus’s second appearance in a song, or after the second verse or refrain for songs that don’t use a chorus. Songs With a Chorus Verse – Chorus – Verse – Chorus – Bridge – Final Chorus Repeats or Verse […]
There’s probably no word less inspiring in the world of songwriting than “structure”. And let’s face it, when was the last time you thought about “structure” when you wrote a song? But the structure of a song can be a vital part of what makes it work. It’s easiest to think about what structure really […]
Building a structure means having a plan before you start. If you’re not an architect, you’ll likely hire one, someone who knows how to create something beautiful while also being mindful of the laws of physics; you want to be sure it doesn’t fall down. Songs have a structure as well. And while I think […]
The conventional wisdom is that a song’s chorus should be happening by the time you get to the 1-minute mark, or even sooner. A chorus that happens after the 1-minute mark can work just fine, though, particularly if the song is in a slow ballad style. Deciding when it feels right for the chorus to […]
