Most songwriters dislike the word “formula” as it pertains to songwriting, because that word implies that there’s something about their music that’s predictable, something that’s been done so often before that we’ve been able to come up with a set of steps — a formula — that can guide you to the finished product. Thousands […]
When songwriters and other musicians use the term “formula” as it pertains to pop music, they’re usually talking about certain noticeable features of songs that keep appearing over and over. In most cases, it’s a situation where the writer thinks, “Because I’ve done this thing in my song, the next step is to do that thing…” […]
In songwriting, a formula amounts to a set of steps that are predictable “responses” to whatever has just happened. And in general, they’re not necessarily desirable. What’s so undesirable about formulas? It comes down to this: most of your listeners like to hear musical ideas that are generated in a spontaneous sort of way, and […]
Songwriting formulas are usually spoken of in a negative way. That’s because inherent in the term “formula” is the notion that if you do certain things, you’ll get a predictable result. And if you’re like most songwriters, “predictable” is not what you’re after. There are many kinds of formulas that are used in songwriting. Some […]
In songwriting, you’re probably using a formula if you find yourself thinking, “After I write something like this, I should follow it up with something like that..” A songwriting formula is a way of simplifying the process, as well as giving your listeners something predictable. The predictable nature of songwriting formulas is what songwriters dislike about them. […]
A verse-chorus chord progression pair refers to two progressions that move seamlessly one to the other, where one has those characteristics of a good verse progression and the other acts as a good chorus one. Before giving examples of these types of pairs, keep in mind that the easiest way is to create one progression that will […]
