Most of my writing these days is for vocal/choral groups. Sometimes that means writing for piano as an accompanying instrument, and sometimes I’m writing for full orchestra. Some of them are original compositions, and some are arrangements of already-existing songs (public domain folk songs, for example). But in any case, I practically always start by […]
If you still write songs in the traditional way — sitting on the edge of your bed with a guitar and working it all out — you probably perform your songs with your band, or perhaps as a solo performer, with guitar or keyboard as your main instrument. Lately I’ve been giving Peter Gabriel’s album […]
A modal scale, for the purposes of what you’ll need to know for good songwriting, is one that starts and finishes on the non-tonic note of a major scale. That may seem like a mouthful, but here’s all it means: If you play a C major scale, you’re playing the notes C-D-E-F-G-A-B-C. But let’s say […]
Melodies and lyrics are protected by copyright, unless they’re old enough to have passed into public domain. But chords? You can usually use chord progressions from already-existing songs, even if that song is newly composed and under copyright protection. Looking for lists of progressions you can use in your own songs? “The Essential Secrets of […]
The composer Mozart almost always composed by finding a catchy melody as a first step, and then finding a bass line that supported it. Filling in all the missing instruments was, for him, something closer to a final step in composition. We can infer two things from this kind of compositional process: He considered melody […]
If you ever spend time reading or listening to interviews with some of the world’s best songwriters, you’ll probably notice how much time they spend talking about other people’s music. McCartney often talks about how he was influenced by Dylan, The Byrds, The Beach Boys, and many others from many genres. To McCartney, listening to others […]
