When you play through chord progressions for songs you know, you’ll occasionally come across ones that involve a slash: F/A, C/G, Dm7/F, etc. These kinds of chords are called inversions, known colloquially as “slash chords” because of that slash. As you probably know, the letter name before the slash is the actual chord that you should […]
Most of the time, a song will start and end in the same key without ever changing. But once in a while, it can be interesting for the audience if they hear the music move off to some new key, even if that key change is just temporary. In music theory terms, it’s called “modulation.” […]
Here’s a tip for you, especially if you’re a chords-first songwriter who works out songs on a guitar. And it may seem like a simple, no-brainer type of tip, but it’s an important one: revoice your chords. Each time you play through a chord progression, you’ll find that your ear gets drawn to the highest notes […]
Chord choice is one part of songwriting that doesn’t require a lot of imagination. All that’s really required is that a progression works. In that sense, it’s not much different from a piece of country land that you might build a house on. Sure, it may seem important to have land that, on its own, takes […]
A few weeks back I wrote about the need to save your failed songs. That’s because you might be surprised how something that sounds completely lame in one setting will sound much better in a different one, and it’s important to leave that option open. That’s got me thinking about something similar today: our negative […]
A song that we love can seem to have a really enticing chord progression, but when you really dig into the song to find out what they’ve done regarding chords, you often find that they’re very ordinary, and that it’s other things — syncopated rhythms, chord inversions, and melodic shapes above the chords — that […]
