It may feel natural to some to consider that once you’ve created a melody that you really like, your job is to set about finding chords to harmonize it. But in reality, most good melodies already imply the chords that make that melody work. Another way of saying this is: good melodic structure strongly hints […]
Your songs missing something? Download “The Essential Secrets of Songwriting” 6 e-book bundle, and get back to writing great songs! _______________________ When you’ve got a melody that you’re wanting to harmonize, the usual way to proceed is to first establish a pulse (i.e., get your foot tapping). For most hit songs (more than 90%), that […]
Coming up with a chord progression that works is not rocket science, but if you don’t get things quite right, you’ll wind up with a song that just feels wrong. Many songwriters will start the songwriting process by coming up with a set of chords that work before they even deal with the melody. But […]
by Gary Ewer, author of “The Essential Secrets of Songwriting” Follow Gary on Twitter _______________________________ How can chords, which typically use only 3 or 4 notes, allow for melodies that use many more? For example, if the chord you’re playing is Cm, which uses the notes C-Eb-G, does this mean that the only notes your […]
Written by Gary Ewer, from “The Essential Secrets of Songwriting” website. FOLLOW GARY ON TWITTER Find Your Songwriting BREAKTHROUGH – Download “The Essential Secrets of Songwriting” _________________________ Vocal harmonies are a great way to add that all-important sense of variety and energy to your musical performance. But using vocal harmonies usually doesn’t, indeed shouldn’t, mean […]
Written by Gary Ewer, from “The Essential Secrets of Songwriting” website. FOLLOW GARY ON TWITTER The second edition of “The Essential Secrets of Songwriting” is out! See the video here. _________________________________ The V-chord is the chord based on the fifth note of a scale. Traditionally, this chord has figured prominently in most progressions, being the […]
