“It’s all about the hook,” you’ll often be told, when it comes to successful pop songwriting. The only problem with that assertion is that it makes it seem as though other song elements aren’t quite as important. A hook grabs attention, to be sure, but doesn’t excuse you from making sure that the overall structure […]
Today’s world of pop music can be a very insular one, in the sense that many “discoveries” pop musicians make about what people like aren’t really new after all. I’ve posted an article from the New Yorker recently, called “The Sound Machine,” about how hits are written today. In that article, Jay Brown (president of Roc Nation) said: “You’ve […]
When you conjure up the first musical bits that will become your next song, those bits are likely going to become part of your song’s chorus. That’s because it’s most likely that you’ll find it easy to think up something like a hook than something like a verse or a bridge. And hooks are going to be the […]
There’s interesting research into the phenomenon we call the “earworm” if you take some time to study it. You might find this article, “Why Do Songs Get Stuck in Our Heads” (written by Chau Tu), to be helpful if you’re the kind of songwriter who is looking for ways to write them. In that article, they […]
For most songs that are written and produced for today’s pop music market, the hook is a very important feature. It’s the part that everyone remembers long after they’ve forgotten everything else about a song. And crucial to the business side, it’s what brings audiences back to a song and makes sales more likely. We […]
One way to make a song stand out and grab attention is to create an instrumental hook, one that may or may not have much to do with the song itself. One of my favourite examples of how this can work is Stevie Wonder’s “Superstition“. The sung part of the song doesn’t really have a […]
