I’m a fan of Genesis, but enjoyed the older incarnation of that group more than the one in the mid-80s. That’s not a criticism at all because I think Genesis wrote brilliant pop music. I just happen to like their older prog rock style. Genesis wrote and recorded “Tonight, Tonight, Tonight” for their 1986 “Invisible […]
For most songs in the pop genre, the bit that you really love will be some short, catchy fragment. That fragment — the hook — is the bit that you’ll remember forever about that song. Long after you’ve forgotten almost everything else, you’ll remember that hook. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, […]
For most songwriters, defining a hook is simple: it’s that catchy bit that makes up the main part of the chorus. It usually comes back over and over because that’s what choruses do — they reappear after every verse, and then again after the bridge. A hook is good if it has a melodic shape […]
At first glance you might think of a song’s refrain as simply being a shorter version of a chorus. But they’re actually quite different. Choruses are usually complete structures that can be repeated over and over easily, as we notice with final chorus repeats of most pop songs. But a refrain isn’t a complete structure; […]
A couple of weeks ago I wrote a blog post about song hooks, and how to diagnose problems you might be having with the hook for your song: “When Your Song’s Hook Isn’t Doing Its Job.” In that article I gave a list of four important characteristics of good hooks. “Hooks and Riffs: How They […]
A hook has several defining attributes that all partner together to make it memorable and catchy: It’s main identifying characteristic is its shortness, making it easy to remember. It has a melodic component that frequently includes some sort of leap, usually upward (“Born in the U.S.A.”). It has a rhythmic component that frequently includes a […]
