If you take a look back at the best performers and bands from the past six or seven decades of pop music, there’s one thing you’ll see that’s in common with all of them: they were all able to produce songs where uniqueness was a vital factor. Uniqueness, at least from a songwriting/performing standpoint, does not […]
You may not think of many of the early Beatles songs as using complex or unusual chord progressions, but for their day, they were noticeably creative. Where so many other early- to mid-era rock and roll songs were barely straying beyond the basic I-IV-V-I kinds of progressions, The Beatles were throwing in modal mixtures, secondary […]
I’m a fan of Genesis, but enjoyed the older incarnation of that group more than the one in the mid-80s. That’s not a criticism at all because I think Genesis wrote brilliant pop music. I just happen to like their older prog rock style. Genesis wrote and recorded “Tonight, Tonight, Tonight” for their 1986 “Invisible […]
One of the biggest problems in the creative arts is the feeling that there’s “a way to do it.” At least, you’ve always done it that way. When it comes to songwriting, you may be stuck in a rut that comes from writing the same way every time. “Chord Progression Formulas” show you quick and […]
The best songs exhibit a mix of two things: Predictability. Songs need to sound enough like other songs out there that audiences enjoy your music. Uniqueness. Songs need to sound different enough from other songs out there that audiences don’t feel that you’re simply rehashing other writers’ ideas. And that’s a tricky balance to get […]
If you’re bored with the chord progression you’ve come up with for your latest song, you’ll naturally want to spend some time looking for chord substitutions that sound more interesting. But if you find that choosing new chords is a matter of random hunting, you can waste a lot of time. With a few tips, […]
