In songwriting, a formula amounts to a set of steps that are predictable “responses” to whatever has just happened. And in general, they’re not necessarily desirable. What’s so undesirable about formulas? It comes down to this: most of your listeners like to hear musical ideas that are generated in a spontaneous sort of way, and […]
When we talk about “making connections within a song”, we’re usually talking about finding ways to have, let’s say, some characteristics of your verse show up in other sections of your song — your chorus, or perhaps pre-chorus or bridge. For example, there is a noticeable connection between the initial verse idea and the start […]
If you’ve been reading my blog at all, you know that even though I love complexity in songwriting, I have a deep appreciation for musical simplicity. There’s something enticing about just letting a simple melody have its way. A perfect recent example of how a simple song can soar to the top of the charts […]
I’ve often said that if you’re not doing something unique in your songwriting/performing, you’re missing the opportunity to add something remarkable to the music world. Being unique does not need to mean being strange, or at least certainly not overly strange. Most of the time, what you feel comfortable doing as a songwriter will be constrained […]
The more you read about The Beatles and how they put their songs together (from about “Rubber Soul” onward, at least), the more you get the sense that each component of the song was planned, calculated and thought about. Their first album, “Please Please Me,” was recorded quickly, mainly all on one day. But as […]
If you’ve written a melody and you want to explore the many ways there are to add chords to it, you need to get “How to Harmonize a Melody.” It shows you step by step, with sound samples, how to create the chords that will bring your melodies to life. Here’s a bit of a […]
