An inverted chord is one in which the lowest-sounding note of the chord at any given moment is not the root of the chord. Inversions have a subtle way of manipulating the mood that a particular chord conveys, and can be a really great tool for songwriters looking to make their chord choices sound more sophisticated. […]
An inverted chord is one where the letter name of the chord (C, let’s say) is not the lowest sounding note. Normally, if you play the C chord in your band rehearsal, that means that the lowest sounding note, the one played by the bass or left hand of the keyboard, will be C. “The Essential […]
Get the eBook bundle that thousands of songwriters are using to improve their songwriting technique. “The Essential Secrets of Songwriting 10-eBook Bundle” comes with a free copy of “Use Your Words! Developing a Lyrics-First Songwriting Process.” One common complaint I hear from songwriters is that when trying to come up with a unique or creative […]
Most songs in the pop genres use simple chord progressions. “Simple” means that they target the tonic chord — the chord that represents the song’s key — and make that tonic chord sound like “home.” These sorts of progressions: C-F-G7-C (I-IV-V7-I) C-Am-Dm-G-C (I-vi-ii-V-I) C-Dm-G-C (I-ii-V-I) These are all in the key of C major, and […]
Sometimes when I write a blog post that deals with chord progressions, I realize, usually by emails I receive, that the terminology or symbols that I’m using might be confusing or misunderstood. Because chords are such an important part of music in any genre, different ways to describe and name them have developed more or […]
Most of the time when you switch a major chord to a minor chord, you’re using what’s called a modal mixture, or “borrowed chord.” The most common switch is the change from a major IV-chord to a minor iv, like this: I vi IV iv I (C Am F Fm C) It adds a nice moody […]
